Jethro Tull chords |
Songs in Mine:
| 17 |
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No of Chords:
| 43 |
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| Most popular chords: | C, D, G, F, A |
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Chord Types used:
| 11 |
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| Most popular chord types: | Maj, m, sus4, add9, 7 |
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Sub-Styles:
Album Rock, Arena Rock, Hard Rock, Prog Rock-Art Rock | Links:
Artist Info, Learn to play rock guitar | 
Artwork courtesy of http://www.music-atlas.com | | Biography: | | In the latter months of 1967, four shaggy wannabe's congregated in the Southern UK town of Luton, Bedfordshire. From the debris of the disillusioned and disintegrated John Evan Band and McGregor's Engine, the naïve, untutored talents of Ian Anderson, Mick Abrahams, Glenn Cornick and Clive Bunker tentatively coalesced to form the original Jethro Tull line-up.
After fulfilling a few remaining dates under the John Evan banner, the group established themselves as Jethro Tull, new resident band at London's famous Marquee club, albeit after a few false start identities ("Navy Blue", "Ian Henderson's Bag 'o Blues", Jethro Toe" and the certainly suicidal "Candy Coloured Rain").
By March 1968, they had built a following as the new face of the blues-based British underground music scene. Lines stretched around the block on a Thursday night when they performed at the Marquee. Ian Anderson would typically join the line as if to buy a ticket himself wearing the shabby hand-me-down overcoat which was to become his trademark for the next few years. Often, he would be seen with a Woolworth's carrier bag containing flute, harmonicas, alarm clock and hot water bottle, in strange precursor role of the Aqualung/tramp persona.
John Peel and Brian Mathews (BBC Radio) and John Gee (The Marquee Club) were influential in championing the cause of the band in these early months.
Following appearances in Hyde Park and at the Sunbury Jazz and Blues Festival in the summer of '68, the band gained wider public recognition with the release of their first album "This Was" which, whilst paying homage to the blues heritage which they all revered, hinted at the broader influences which were to become apparent in the post-Mick Abrahams times to follow.
After the personal and musical differences which marked the then acrimonious separation, Mick Abrahams left to form the briefly successful "Blodwyn Pig". The remaining Tull boys embarked, with the then unproven addition of replacement Martin Barre, on the recording of the landmark album "Stand Up" at the beginning of 1969.
Without the support of John Peel and others, the group struggled to regain the approval of both public and media alike.
Happily, the new record, "Stand Up" proved to be a great success, and lead the way to new opportunities in Europe and the USA. Ian Anderson's music writing came of age with this album and the influences of classical, jazz, folk and ethnic music forms made the eclectic result an early landmark for the band.
After achieving the Number One position in the UK album charts, Tull, initially in the shadow of Led Zeppelin and others, began the explosive ascent to the lofty heights of US stardom, culminating during the next three years in the cover stories of Time and Rolling Stone magazines, five nights at the Forum in Los Angeles and three nights at Madison Square Gardens, New York.
A few hit singles livened up the band's career, amongst them, "Living in the Past", written ..
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